Fung looks like a super-heartthrob and was bon with a special endowment, making him the high school idol. He was expelled from school when he was caught fighting on campus. When his mom, the sole provider of his family with her poultry business, had to stop working due to her back problems, Fung decides to support his family financially. And from that moment, his life takes on a tumultuous change…

A night like any other in the streets of Hong Kong: in the midst of the tangle of night-owls, cars and vendors, a group of passengers climbs aboard a minibus that is to take them from Mongkok to Tai Po. The group is as diverse as the city: there’s a young man on drugs, an arguing couple, a woman with prayer beads and a girl who has just fallen in love. And behind the wheel sits the chatty driver. But as the bus emerges from a tunnel, everything is suddenly quite still: the streets and buildings are all empty and there’s not a soul to be seen; it’s as if everyone has suddenly been swallowed by the earth. Only the millions of neon lights continue to blink, as if nothing has happened. The eclectic group of passengers seek refuge in a deserted café and discuss what they should do. Then they make an horrific discovery…

Stephen Chow plays a rich playboy who is blown up by a mafia boss when he flirts with the boss’s girl. Through a series of circumstances his professor makes him a synthetic (robotic) body that allows him to change into a variety of “Mrs. Wong’s Household products” like a microwave and toothpaste. Chow eventually goes to work at a school notorious for it’s rowdy students and singlehandledly disciplines them all. He then goes on to marry a former classmate played by Gigi Leung. But before the wedding happens, the mafia boss finds out that Chow is still alive and sends in his own human-robot to take Chow out for once and for all.

THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood. Imagine a wickedly saucy by invitation-only stage show and posh private peeps in which your every fantasy can come true, fulfilled by the likes of luscious ladies imitating the sex goddesses of yore: Bettie Page, Jayne Mansfield, and Suzie Wong.

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Wong Kam-Kwei, a gang boss on the decline, overseeing bathhouses and karaoke bars, falls for a small restaurant owner, Mei. He begins to help her business, and learns that Mei is already in love with Leung, a member of his gang. He’s also like a brother to Kam-Kwei. When a rival gang hoping to steal his territory kills Leung, the only thing left for Kam-Kwei to do now is to protect Mei and avenge Leung.